With the success of “The Whole Nine Yards,” it was almost inevitable there would be a sequel. And now four years after the original debuted, the sequel, the aptly named “The Whole Ten Yards,” finally hits theaters.
The original cast - including Bruce Willis, Matthew Perry, Amanda Peet, and Natasha Henstridge - reunite for another wild mob comedy ride. This time around, Jimmy ‘The Tulip’ Tudeski (Willis) is living the quiet life, enjoying retirement in sunny Mexico. Jimmy’s days of perfecting his culinary skills are interrupted when Oz (Perry) barges in and begs him to help rescue his kidnapped wife (Henstridge). Hot on Oz’s tail are mob boss Lazlo Gogolak (Kevin Pollak) and his gang of hit men, eager to settle an old score now that he’s out of jail on parole.

INTERVIEW WITH BRUCE WILLIS AND MATTHEW PERRY:

Did they get the sequel idea from a press junket for the first movie?
MATTHEW PERRY: I don’t know if it’s the press junket. But the reason we are here doing it again is we all like the ensemble cast, and we all had such a blast doing the movie. Then everybody watched it and it had this great shelf life on DVD and all that stuff. I don’t know that it was the press junket.

What’s the connection between your characters and chickens – “Friends,” “Hudson Hawk?”
MATTHEW PERRY: Chickens are funny.

BRUCE WILLIS: Contractually, every five years, I have to do a film. It’s for the chicken related audience, the poultry industry.

Are you domesticated at home, Bruce?
BRUCE WILLIS: The point is to be kidding. That was Matthew’s idea that we switch roles, and me be this kind of ‘domesticated doesn’t want to kill people anymore’ guy, and Matthew would be the tough guy who had to heroically save the day.

MATTHEW PERRY: One of those worked. We decided early on that me being the heroic guy wasn’t funny, so we dropped that out.

Why?
MATTHEW PERRY: It just wasn’t that funny. One of the great things about the first movie was that I was scared of everything. I was scared of him and I was scared of all that stuff. So in the opening table read, we had the idea of making me kind of this Clint Eastwood guy in the beginning and him being this Martha Stewart kind of person. We had to drop half of that out.

Do you two have similar takes on comedy?
BRUCE WILLIS: I think that we understand timing. For me, I can attribute that to two things. To the sixth, seventh and eighth grade when I was entertaining my class, all through high school actually. And the other thing is from working with TV. When you work on TV every day, your goal is to try to make people laugh and be funny. You become adept at paying attention to where the joke falls. How long to hold a take. It’s an exercise every time and that’s all we do. We just fool around on the set and try to get it to where it just looks natural and sounds natural. It’s like “The Three Stooges,” it really is.

Were you the class clown?
BRUCE WILLIS: If I had my yearbook here, I would show you right now. I was a class clown in 1976.

Who came up with the idea to wear bunny slippers and cook?
BRUCE WILLIS: Well, that was just the start of it. That was all just part of Jimmy’s plan. My character, Jimmy Tudeski, has got this plan that is the most arcane, Byzantine goofball plan that, with a really great script written by George Gallo, also Matthew’s idea, that just all we wanted to do was try to make each other laugh.

Would you ever wear the slippers?
BRUCE WILLIS: Those bunny slippers? I have a pair right now.

How domesticated are you?
BRUCE WILLIS: Quite domesticated. I can cook. I’m tidy.

MATTHEW PERRY: You are tidy. That’s what we should next is “The Odd Couple III.”

BRUCE WILLIS: I’m thinking road pictures. I’m thinking Matthew Perry/Bruce Willis road pictures.

What do you cook?
BRUCE WILLIS: I make lasagna, I make chicken cacciatore. Actually, my chicken cacciatore would make you start crying. It’s so good. The chicken falls off the bone.

How do you stay comic when you’re pointing guns at women seriously?
BRUCE WILLIS: Isn’t that the joke? I was just trying to play a guy that nobody knew what was going on with him, that was capable of anything at any time and it evolved, just like the first film did. We did the first film on our feet the same way every day and in between takes going, “Okay, how about you try this? Why don’t we try this?” There’s a shorthand of comedy that happens because we, first of all, everybody gets along so well. And we did work together on the first film and kind of moved through that one. It’s fun. It’s fun to do it as a job. It’s fun to have a job where you’re just trying to be funny.

What did you learn about comedy from “Friends?”
MATTHEW PERRY: Like Bruce, I was the class clown as well. Lucky we didn’t go to the same school. What I learned from “Friends” was this idea of best joke wins, no matter who thinks of it. If there’s a tyrannical presence, it’s wrong in a comedy world. That’s what’s great about this movie, to get back to the question before. This is kind of a nice place to be, this movie. It’s just a funny place to be while everybody’s shooting at each other. And that’s kind of fun. So, it does scare you and you find yourself laughing at the most crazy, weird things.
Did you cry at the “Friends” finale?
MATTHEW PERRY: I kind of had that feeling of you’re just about to cry for five hours, but Jennifer Aniston’s over there sobbing so you have to go take care of her.

Is this character like Chandler?
MATTHEW PERRY: It’s Chandler times 1000.

How do you keep that fresh?
MATTHEW PERRY: As an actor, on autopilot is the worst thing possible, so you just make sure the script was written by the right person. You make sure you’re surrounded by funny people and then you just literally try to beat the joke. The goal is to have to do the shot again because the camera guy shook a little bit as he was laughing. Without that happening, I’m not happy because there’s nothing better for me than a world that everybody’s just trying to make each other laugh and that everybody’s trying to analyze the funny and trying to make it as good as possible. So I think Chandler grew up through the 10 years. What I love about a character like Oz is there’s no rules. He’s a scared guy and he’s in a set of very scary circumstances. He can do all these physical, really over-the-top kind of things.

Your next movie is a drama with Kevin Pollak. How hard is it to make that transition?
BRUCE WILLIS: It’s not that difficult. It’s just a different set of muscles and a different set of things you think about at your job. But it’s really great to work with people that you’ve already worked with. There’s a shorthand, you know them, you know you can suggest things back and forth and have that creative free flow of information. And Kevin is incredibly funny. We could not do off-camera for him on at least five or six shots. He would say something different every time, and what’s in the film is the funniest stuff, but he would just crack us up every time. We’d be standing off-camera, there was a shot where everybody was trying to do off-camera for one line that he says, “This is reminding me of Sandchildren Through the Hourglass.” No one could stand in there and do off-camera for him. I think he was saying it to Amanda [Peet].

MATTHEW PERRY: I had to run off the set and Amanda ran off the set. Bruce just held up his hand.

BRUCE WILLIS: The camera’s shaking, the camera guy’s laughing, I turned around, I didn’t look at him and held my hand up and said, “Just look at my hand. Say the word to the hand.” And he just killed us every time.

MATTHEW PERRY: Because he was given the opportunity, he was just freer as an actor with all that prosthetic stuff. I want to do that at some point because he told me when you have the prosthetics, the big glasses and stuff, there’s no concern about what you look like. We’re standing there trying to be funny, but going, “I look okay too, right?” He didn’t have to worry about that, so he was a lot freer. And walks away with the movie as a result.

BRUCE WILLIS: I’m so proud, I have to say, I’m so proud of Kevin Pollak. This guy has so many little genius moments in the film that if you watch again, just watch his character all the way through and it cracks you up because these asides and lines that he says that he just said on the day. Just on the day and we’re dying laughing, just going, “Where did that come from?”

By the way, you look great.
BRUCE WILLIS: Thank you. I’ve had some work done [joking]. I’m just in a good place. I’m happy.

You set a tremendous example for divorced couples staying involved for the kids. How hard does that become?
BRUCE WILLIS: It’s not hard at all. That’s the whole point. Demi and I just chose to put our children first and we do it well, and we’re really fortunate.

Do you want to get married again?
BRUCE WILLIS: I want to get married like seven times. I want to be like Mickey Rooney. I’m patterning myself after Mickey.

Would you be the best man at Demi and Ashton Kutcher’s wedding?
BRUCE WILLIS: No, but I saw that article in the “National Enquirer” also and I thought it was a little kooky. I’m the last to know when it comes to stuff like that.

MATTHEW PERRY: This is awkward but I’m going to be the best man.

Bruce, why return to “Die Hard?”
BRUCE WILLIS: Well, we’re talking about it. People wanted to see it. People keep asking me about it and it’s hard. We’re having a contest to come up with the ending.

What sort of ending do you want?
BRUCE WILLIS: I have no idea. What can we do? Have two planets crash into each other? Juggle an asteroid maybe?

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